From the Bible to Nostradamus, the Mayan calendar and the Millennium Bug, fatalists, fantasists and the fervently religious have long been fascinated by the end of the world.
Movie directors love nothing more than feeding our deepest fears concerning overpopulation, pestilence and nuclear armageddon — and the cinema-going public laps it up. The glut of dystopian fiction coming to theaters and video-on-demand over the coming months includes Peter Jackson’s “Mortal Engines,” Kim Jee-woon’s “Inrang” and Myroslav Slaboshpytskyi’s “Luxembourg.”
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